The Great Pyramid of Giza stands alone as an enigma in time and this incredible structure has long defied explanation.

Much has been written by mathematicians, archaeologists, scholars, occultists and religious followers alike, adding layer after layer of mystery, speculation and theory to the only remaining wonder of the world.

"PYRA-MID"

"Fire within" or

"A measure of light"

My theory comes from from basic geometry, photographic evidence, scientific fact and a sound knowledge of three dimensional construction.

The theory I will present here is one which I have not seen explored in any documentation or book prior to this writing.

It is my intent to prove the existence of a second (duplicate) set of chambers and passageways inside the Great Pyramid of Giza.

YIN AND YANG

The duplicity of the internal chambers and the perfection of the geometry first struck me while I was working with a conventional compass and ruler. You can verify this for yourself.

Draw a horizontal line on a piece of paper. Make two circles, each one with it's centre point on the line, and each circle touching. Now draw 2 lines vertically until they intersect with the circles circumference. Connect the 4 points, making a cross.

Use this new centrepoint as the centre of a new circle, that intersects those 4 points. If you now draw a line from the base (horizontal line) to the top of that new circle, you will have the exact length of the side of the pyramid.

Use this length as a radius distance, and make two new circles from the original circle centres. They will intersect the vertical line, and give you the exact height of the pyramid. The most important part of all of this is that the angle created is a harmonic CONSTANT. This was verified by Bruce L. Cathie.

It also generates what I have come to term as the "Infinite Star". I realised here was a direct representation of the angles of the ascending and decending passageways of the Great Pyramid.

This shape can be repeated and enlarged creating infinite pyramids and infinite stars. The other shape which appears is of course is the pentagon.

I was fortunate to come across the original plan for Washington DC, designed by Pierre Charles L'Enfante, a French Freemason who was well acquainted with Benjamin Franklin at the time.

Here you can clearly see the Star and Masonic square in the layout of the streets and placement of important buildings. One of those of course is Cleopatra's needle.

The next thing was to overlay a copy of the internal chambers of the Great Pyramid over my geometry and it proved to be a perfect match. All of the angles were verified in CAD.

But something was missing. The more I looked at it, the more I began to wonder, where is the rest of it?

The Great Pyramid is a wonder of mathematical design, and yet in the same sense, it contains passageways and chambers which are not symmetrical..or are they?

I use Photoshop a lot in my work and I decided it was time to see what would happen if I mirrored the chambers. To my astonishment, the missing symmetry suddenly jumped out at me like a startled rabbit from a magician's hat. This perfection of design has been hidden from us, as we've only been looking at half the picture.

CLICK TO ENLARGE

The strange thing was that the so called "air shafts" now lined up too. I laid this image on top of my geometry and found that everything lined up perfectly, including the shafts. Every angle and line had a specific origin that has nothing to do with specific star positions, but more to do with harmonics, geometry and the relation to the earths mass and distance from the sun.

I have long been a supporter of Robert Bauval and Graham Hancock's Orion theory as it fitted with my notion that the Pyramid was much more than just a tomb for a dead King.

If you are familiar with their books you will know that they suggest these shafts point to specific stars and constellations, and that the Pyramid is a kind of precessional "clock". I always believed deep down it could be a kind of Stargate for the Pharoah's to ascend to another world.

Unfortunately I must now dismiss that theory as a "nice try" as I cannot ignore however the simplicity and provability of this new information. But wait a minute…how could there be a second set of passageways? Surely they would bump into each other... unless of course they were offset somehow.

Immediately I rushed to my book collection to find a top view of the layout of the chambers and confirmed that they were indeed offset.

This didn't really prove anything, because in two dimensions it still looked like the chambers bumped into each other. I had to go to 3 dimensions.

Not being completely literate in 3D programs, I decided to use Bryce, a very easy and user friendly program which gave me enough information to prove a point. By this time I was getting excited and wanted to see hard evidence.

The result was amazing. I could now see how it was possible for an identical but mirrored set of chambers and passageways to exist inside the Great Pyramid. I took it one step further and rendered it transparent to show the location of the coffer. To my surprise, it was the only object which lined up on the centreline of the structure.

Now here was something really interesting. It appeared as though I was looking at a complex machine which appeared to have cooling fins like an amplifier and casings for positive and negative batteries?

We already know that everything has a positive and negative aspect. Male and female, light and dark, yin and yang etc. I could now see why the chambers we already know are aligned to magnetic north. This of course means that the other must be aligned due south, making a positive and negative circuit.

CLICK to ENLARGE

THE "BOSS" or GREAT SEAL (the Key)

The key to the Grand Design is located conveniently but cryptically in the Boss on the Granite Leaf, at the entry to the Antichamber. This cypher I believe was left behind as a marker or a kind of measure of the pyramid and it's dimensions. By deciphering the key, one could find the hidden geometry and discover the hidden chambers.

THE MISSING HOLES

It follows that if there was once a connection between these two power cells, then you would expect to find some sort of opening at the end of the coffer in the wall or floor.

Looking at original photos from the Edgar Brothers taken in 1910, I discovered that in fact there was such an opening.

In the present day photos however it has mysteriously disappeared.

The coffer itself has also been strangely cemented in place.

I remember the words of Ed Leedskalnin, the man who built Coral Castle. He once stated that he had re-discovered the secrets of the construction methods used to build the Pyramids.

He went on to explain that that "everything on this earth is made up of north and south pole magnets."

Is this truly an ancient power cell or generator of some kind of energy like Hydrogen? Or is it in fact a Stargate?

THE LOST ARK

Many people like myself believe that the Ark of the Covenant was once housed inside the coffer of the Kings chamber.

In order to confirm the possibility of this, I researched the original dimensions of both the Ark and the space inside the coffer, converted them to centimetres and found they fitted perfectly.

There was about a 3mm gap each side of the Ark, and the 43cm at each end could easily house the rings and device for lifting it in and out. If this is true and there are two sets of chambers, then it stands to reason that there would be two Arks (Arcs).

The one we know to be missing must therefore be the one we read about in the biblical stories of Moses at Mount Horub that was taken by the Israelites.

In his fascinating book "Lost Secrets of the Sacred Ark", Laurence Gardner explains many unknown things about the Ark and it's power generating ability. I cannot do justice to this book in a few sentences but essentially it outlines the capability of the Ark to generate a powerful spark between the two gold cherubs, above the so-called "mercy seat".

This "Arc" would transform gold into the mysterious substance "MFKTZ" or white powder gold. Many tonnes of a strange white powder was found by Petrie when he discovered the temple at mount Horub.

One thing that also struck me was that Gardner refered to the existence of a MFKTZ "field". He suggested that if two of these fields interacted that perhaps it would open an interdimensional doorway between two worlds. Here I was back at my Stargate theory.

The strange properties of white powder gold for those of you not familiar with it's method of production is it's ability to disappear and re-appear during the process. This has led scientists to speculate that it is actually phasing in and out of a different dimension. It is also used in the production of superconductors due to it's ability to lose and gain weight (antigravity).

Let us ponder for a moment the ramifications of this discovery, scientific, religious and historical. What would happen if this artefact was discovered? It seems apparent from reading the Bible description of the construction of the Ark and it's alter pieces that an important element was the shielding of it, both by insulators and special cloth with gold rings.

A breastplate of gold was also fashioned for whoever approached it, and people were warned to take off their shoes lest they be killed. This is clearly to earth the person against electric shock. Without using caution in handling, the Ark could be a deadly source of electrical power, even today.

STRUCTURE

Another interesting and supportive piece of information is the different types of stone used in the construction of the Pyramid. Most of the structure is built from limestone.

The Kings chamber however is insulated with red granite. If there was indeed an energy or heat being generated inside this chamber it would be no problem as granite can withstand temperatures of over 2000 degrees Fahrenheit.

Granite is also used in sound production to reduce vibration and resonance. Multiple separated layers of granite (as in the relieving chambers) can be used to absorb seismic vibration which is harmful to sound production.

While we are on the topic of sound, it is interesting to note that the Grand Gallery seems to be tunable, via it's stepped ceiling construction to four octaves.

The antechamber before the Kings chamber with it's portcullis grooves and granite leaf, is remeniscent of a giant reed, for tuning the cavity.

In musical terms:

The Kings Chamber resonates at 740Hz

= F sharp

The Coffer resonates at 440Hz

= A

In music, pitch is the perception of the frequency of a note. For example, the A above middle C is nowadays set at 440 Hz (often written as "A = 440 Hz", and known as concert pitch). Pitch is often cited as one of the fundamental aspects of music.

Bottles and Water

If you've ever filled a series of bottles with water at different levels and used them as an instrument you can understand the principles behind tuning the Gallery. Perhaps the Pyramid is a giant crystal set, capable of receiving signals from far off planets.

Reports have also been made by tourists in the subterranean chamber that they can clearly hear the unmistakable sound of the coffer being struck by guides, coming down through the ceiling. This seems to point to, and certainly there is room for a vertical shaft running directly down the centre of the pyramid.

I believe as a part of the system of the Great Pyramid, saltwater was pumped up from the subterranean chamber, hence the eroded, unfinished appearance and the presence of salt on the walls up to the level of the Queens chamber.

In 1987 a Japanese team using sound waves to scan the inside of the pyramid found cavities behind the wall in the Queens chamber, precisely at the point in my 3D image where the two are very close together. Waseda University suggested that there are two sets of chambers, side by side, but his research proves that they would in fact be opposites.

No further investigation however seems to have been allowed by the Egyptian Authorities into the matter.

THE RAISING OF THE DJED

The Djed pillar is the strangest of Egyptian symbols and most closely resembles an electrical device with insulators. It is often represented with people wearing what appear to be space suits or insulating clothes.

Opposite: In the temple of Hathor, the Djed is shown connected via a cable to some kind of tube or electrical device.

PIEZOELECTRICITY

Piezoelectricity is defined as a material that generates an electric charge when mechanically deformed.

Conversely when an external electric field is applied to a piezoelectric material it will mechanically deform.

An example of this is Quartz. Piezoelectric induction also creates frequencies. Quartz resonates at 32,768khz, which is a multiple of 2, a number sequence also found in computers eg: 2, 4, 6, 8, 16, 32, 64, 128, 256, 512, 1024, 2048, 4096, 8192, 16384, 32768 making it a binary crystal.

Could this be the reason for the choice of material in the Great Pyramid?

In conclusion, I believe the Great Pyramid was created as Edgar Cayce suggests over 12,000 years ago by the inhabitants of the lost Atlantean continent and the Egyptians over many centuries tried and failed to copy it's perfection.

Whatever it is or was, one thing is certain…the Great Pyramid is not a tomb.

AUSTRALIAN PYRAMID

On Feb 3rd 2005, while scanning the ground in Google Earth looking for Pine Gap, I stumbled across what looks like an enormous pyramid structure. At the time I published the co-ordinates on an anomalies blogsite, but later removed it.

As several people have since tried to lay claim to this find, including GhostradioX, I have decided to publish this image and it's co-ordinates again here for those who are interested in it.

I have been waiting over 2 years now for Google to do a hi-res pass over it, but they just go around it (funny about that).

Those of you who corresponded with me at the time, will know that I was the first person to discover the site, regardless of recent claim jumpers...LOL

Best Wishes

James

The co-ordinates are: 23 19' 36.66"S, 134 42'55.36" E

DOWNLOAD KMZ FILE FOR GOOGLE EARTH

COPYRIGHT FEB 03 2005 IAN JAMES COLMER. ALL RIGHTS RESERVED.

All information and images contained on this page are copyright Ian James Colmer 2005 and may not be duplicated without permission.